Make Marbel Texture..
Make variable colored grid..
Neon Text..
The micro bevel..
Rusted Type..
3D Text/Logo..
Techno-wave Effect..
Trendy Avatar..
Simple background..
Digital Effect..
Polar Coordinates..
Water drops..
LCD Screens..
Steel Type..
Pixelated Text..
Smooth Edges..
Vectorizing Photos..
Luminous Essence..
Transparency..
Digital Smoke..
Game cube logo..
Gradient Grids..
Sparkles..
Driping Slime..
Borders..
Cartoon Clouds..
Organic Tech..
Aqua Balls..
Kerning and Tracking text..
Getting rid of overlap..
Weaving a ribbon through text..
Blend layers w/ opacity mask..
Brilliant Color..
Create 3D Cylinder..
Creating Artistic Brushes..
Fine Lines Design..
Transition b/w two objects..
Distortion Effect..
Soft Proof your colors..
Knotworking..
Creating views..
Transforming shapes..
Creating Image map..
Optimizing web graphics..
Using Slice tool..
Creating web button..
Animation of scaling..
Ripple Animation..
Colors changes to animation..
Neon light animation..
Creating a Navigation bar..
Animated Imagemap Button..
Preloader with FlashMX..
Sound Control..
Steel Flash..
Using masks..
Loading an external movie..
Flash light effect..
Flash game techniques (P-1)..
Flash game techniques (P-2)..
Flash game techniques (P-3)..
Flash game techniques (P-4)..
Flash game techniques (P-5)..
Dropdown menu for FlashMX..
Zoom blur effect..
Dessolving words ..
Spotlight masking..
Passing variable to Flash..
Clear Text..
Create Time in Flash..
Change colors of movieclip..
Creating sites using CSS ..
Dreamweaver 4 Flash buttons..
Defining a site..
Dreamweaver Form tips..
Dreamweaver interface..
Creating nested tables..
Rollover form buttons..
Graphics Editing w/ DW & FW..
Inserting FW HTML into DW..
Working with templates..
Quick shapes in freehand..
Making a 3D pie-chart..
Exporting GIFs from Freehand..
Creating 3D Soccer Ball..
Creating Perspective shadows..
Chrome effect in Freehand..
Creating Hollow Envelopes..
Building Buttons..
Drawing a heart symbol..
3D Ball ..
Bouncing ball..
Automating Fireworks..
Text writing animation..
Fireworks 4 Popup menus..
Creating Gel Text..
Outline tool overview..
Cracked text..
Page curl ..
Contoured Text ..
Drop Shadows ..
Creating complex shapes..
Creating volumetric clouds..
Water/Fire/Smoke Effect ..
The Power of Radial array..
Modelling an Eye..
Welding vertices..
Animating a ball..
Realistic Texturing..
Polygon basics..
Lathe Tutorial ..
Emit geometry from a point emitter..
Creating a missile trail..
Animating a flying baloon..
Introduction to Expressions..
Making MEL Procedures..
Introduction to MEL Scripting..
Modeling a mechanical hand..
Build a spiral staircase..
Building leg skeletons..
Modeling a head..
Texturing the head..

How to make water ripple..
Create Ghost shader..
Using two bone IK Solver..
Using multi-texturing..

Create Artistic Brushes

There are many ways to create artistic brushes for use in the Adobe® Illustrator® 9.0 Brushes palette. The easiest, of course, is to load the Artistic Brushes Libraries found on the application CD. There you will find quite a selection of artistic brushes. Read no further if you found the brush you need. But, for those of you who might like to customize a brush a bit more, read on. In this tip we will learn how to use Adobe® Photoshop® brushes and paths to create a more organic-looking brush to use in Illustrator.

1. Open a new file:

Launch Photoshop, and open a new file roughly 80 x 275 pixels, 72ppi, with a transparent background.

2. Set paintbrush tool options:

Select the paintbrush tool. In the paintbrush options, make sure the mode is Dissolve (this will give us a rougher edge), 100% opacity, and no fade. If you have a stylus, Size should be checked. (In this next step it's helpful to have a stylus to give you more flexibility with pressure sensitivity.) Show the Brushes palette, and select a medium feathered brush.

In the Display and Cursors preferences, you can set how you would like your cursor to view. In this example, we've selected Painting Cursors to view as Brush Size.

3. Draw a stroke

Make sure your colors are set to default black and white by pressing the D key. Next, while holding down the Shift key, drag to draw a straight line. Remember, if you are using a stylus, you may want to vary the pressure to get thick and thin strokes. Now, this stroke might be just as you'd like, but we're going to finesse it a bit to obtain a charcoal look once it's back in Illustrator.

It's best to create a straight brush, so that when it's applied along a curve path, it will follow the path precisely.

4. Change the shape of the stroke:

Experiment with different brush sizes and types as you continue drawing on top of your stroke to manipulate the shape. We've even used the eraser tool to erase away color and help form the contour of the brush. Every pixel does not have to be perfect at this point.

5. Create a selection:

Once you have the brush pretty much as you would like (and believe me, you will be experimenting more once you get familiar with how this image translates to Illustrator art), stop drawing and continue with the next step. In the Layers palette, Command-click (Mac OS) or Ctrl-click (Windows) the active layer to create a selection around your art.

6. Make a work path:

Switch to the Paths palette. Here we will transform the selection into a path. Option-click (Mac OS) or Alt-click (Windows) on the Make Work Path From Selection icon at the bottom of the palette. Enter 1 pixel so that the path will follow closely to your selection. Click OK to create your work path. With the direct selection tool, select the path and copy it (Command/Ctrl+C).

A work path must be saved, or it will be overwritten the next time you create a path. Double-click the work path to save it as a path for use later. The tolerance amount can be between 0.5-10 pixels. At 0.5, the path will try to follow the selection the best it can, and at 10, it will be a much looser interpretation of the selection.

7. Paste the stroke into Illustrator:

Launch Illustrator, and then paste (Command/Ctrl+V) the path into a new document. The path comes in filled and stroked with None, so fill the object with black. And there you have it - art for your brush. Now, of course, you can do some more finessing if you like by moving anchor points or using the smooth tool to delete points, but I'm going to move on and make this art a brush.
Unless you know exactly what color you always want the brush to be, color it black. Then, in the tool options, select a Colorization method of Tints. This makes the brush take on whatever stroke color you have selected.

8. Create a new brush:

Select the art, and drag it onto the Brushes palette, or choose New Brush from the Brushes palette menu. In the next dialog box, select New Art Brush. The Art Brush Options dialog box appears. Set up your options by choosing a Colorization method of Tints. Now you are ready to use the new brush! You might want to do some more editing on the brush, in which case you can go back to Photoshop, or just edit it in Illustrator.

Partners

Flash Templates
Free Web Templates
FREE professional web templates
Website templates
Free Web Templates
Graphic Design
Tutorial Guide
Flash Templates

Flash Templates and Web Templates

 


Advertise | Submissions | Privacy Policy
All the contents and articles within this website are property of their respective authors and are submitted to us by them, we do not held any liability for the material including text and graphics submitted by them.
© Copyright Vecpix.com 2006-07. All rights reserved.

Partners network: